StoryGraph Saturday is a weekly thing where I randomly choose a book from my To Read pile on StoryGraph and show it off to both remind myself that it’s there and to show it to you, Dear Reader, in case you might find it interesting, too.
Re-Enchanted: The Rise of Children’s Fantasy Literature in the Twentieth Century
by Maria Sachiko Cecire
Published in 2019
From The StoryGraph:
From The Hobbit to Harry Potter, how fantasy harnesses the cultural power of magic, medievalism, and childhood to re-enchant the modern world
Why are so many people drawn to fantasy set in medieval, British-looking lands? This question has immediate significance for millions around the world: from fans of Lord of the Rings, Narnia, Harry Potter, and Game of Thrones to those who avoid fantasy because of the racist, sexist, and escapist tendencies they have found there. Drawing on the history and power of children’s fantasy literature, Re-Enchanted argues that magic, medievalism, and childhood hold the paradoxical ability to re-enchant modern life.
Focusing on works by authors such as J. R. R. Tolkien, C. S. Lewis, Susan Cooper, Philip Pullman, J. K. Rowling, and Nnedi Okorafor, Re-Enchanted uncovers a new genealogy for medievalist fantasy—one that reveals the genre to be as important to the history of English studies and literary modernism as it is to shaping beliefs across geographies and generations. Maria Sachiko Cecire follows children’s fantasy as it transforms over the twentieth and twenty-first centuries—including the rise of diverse counternarratives and fantasy’s move into “high-brow” literary fiction. Grounded in a combination of archival scholarship and literary and cultural analysis, Re-Enchanted argues that medievalist fantasy has become a psychologized landscape for contemporary explorations of what it means to grow up, live well, and belong. The influential “Oxford School” of children’s fantasy connects to key issues throughout this book, from the legacies of empire and racial exclusion in children’s literature to what Christmas magic tells us about the roles of childhood and enchantment in Anglo-American culture.
Re-Enchanted engages with critical debates around what constitutes high and low culture during moments of crisis in the humanities, political and affective uses of childhood and the mythological past, the anxieties of modernity, and the social impact of racially charged origin stories.
I’ve read a couple of other non-fiction books dealing directly with fantasy novels this year (The Dark Fantastic and The Heroine’s Journey), and I learned a lot from both. So it’s no surprise to me that I’m interested in reading more non-fiction dealing with fantasy in our society, and how its characters and stories are affected by our changing world. So when I saw Re-Enchanted at the library, I knew it had to go onto the TBR list, because really. Why are people so interested in fantasy stories set in England or England-like places? I must know! I have no idea when I’ll get to it. Hopefully sooner rather than later.